Margie Ellis
Artist/ Illustrator
“When words may be illusive and the ability to express one’s self is incommunicable,
art then becomes the visual articulation for expression.” – Margie Ellis
/artist statement
I am constantly inspired by images. For me, images say it all. I see particular examples and fall in love with them and those I have to re-create in some fashion. At that juncture, I am unsure as to how to proceed, or in what media it will be depicted, and likewise what color symphony it will be utilized. The compositional formalities are not yet considered; I am only certain that it holds some abstruse meaning.
As an African American artist, I do not want to limit myself to creating art that is meant purely to appeal to my ethnicity. I believe that since we live in a multi-cultural world my art should be reflective of that. My thoughts transcend my skin color. I create art based upon what I wish to express.
For many years, I considered myself, “The Lost Artist.” My limited knowledge of other artists' works, particular styles, and different genres all contributed to the reason I viewed myself this way. I never really consciously gave thought when I picked up a pencil or paintbrush as to why I was making art, or how.
However, during my studies at Colorado State University my understanding of how art making is achieved with Praxis; the actual doing, so that one can establish an understanding of something. It has become apparent to me that it is essentially a means of communication, and is based upon the instinct of origination. That innate desire to create something from nothing and it is that very desire that drives me forward in my artistic endeavors.
The “Old Masters” such Carravagio, Arkipov, and Vermeer have been strong influences, and there are certain aspects of their works that I have attempted to emulate. Carravagio for example is known for his dramatic use of dark and light that at times spotlight a central figure, a method I frequently use. Arkipov’s invitation for the viewer to participate in the painting, and Vermeer’s masterful use of pictorial light are major factors that lend depth to my work. I learned that these artists embody certain elements that deal with shade, form, mood, and expression, all of which are great interests of mine.
Through art, the voices of artists emerge. Some are muted, others whisper softly and then there are the ones that almost scream so loudly that your attention is drawn to the piece immediately. I strive to capture the viewer’s attention, even if it is for a miniscule moment, and if this is achieved I have reached my goal.